<a href=”https://www.goodreads.com/book/show/17324149-my-mother-s-voice” style=”float: left; padding-right: 20px”><img alt=”My Mother’s Voice” border=”0″ src=”https://d202m5krfqbpi5.cloudfront.net/books/1359982576m/17324149.jpg” /></a><a href=”https://www.goodreads.com/book/show/17324149-my-mother-s-voice”>My Mother’s Voice</a> by <a href=”https://www.goodreads.com/author/show/614105.Kay_Mouradian”>Kay Mouradian</a><br/>
My rating: <a href=”https://www.goodreads.com/review/show/886920404″>5 of 5 stars</a><br /><br />
<br>I met Kay Mouradian at a very crowded Author’s Day in Pasadena. Their first such event. We all had assigned spots at tables and then were free to wander to meet fellow writers.<br><br>My Mother’s Voice is a profound book and a must read. Of course, it was a gripper, but perhaps that word shows a paucity of feeling;so many people go through such terrors, abuse, genocide, and in the western World, some of us can become numb to these conditions or simply are unable to read about any kind of suffering.<br><br>Nobility and anonymity are huge themes in my life, and I read about these people, always giving me a higher and higher standard to attain. Then, become mine. We have a history laden with heroes and heroines amidst the chaos of a world destined to come of age.<br><br>This is one such book. My Mother’s Voice. I haven’t checked amazon, Alibris for it, but its ISBN 978-1-4525-6169-1, Balboa Press, a Division of Hay house. This has received Honorable mention as a documentary and considered Best Documentary at a film festival in Toronto.<br><br>
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In view of the recent sufferings and the accompanying feelings of oneness I would like to offer the quote below from the Baha’i Writings, revealed by Baha’u’llah (whose name means the Glory of God) with hopes it will lighten hearts that are heavy. esther
CXXX: Be generous in prosperity, and thankful in…
Be generous in prosperity, and thankful in adversity. Be worthy of the trust of thy neighbor, and look upon him with a bright and friendly face. Be a treasure to the poor, an admonisher to the rich, an answerer of the cry of the needy, a preserver of the sanctity of thy pledge. Be fair in thy judgment, and guarded in thy speech. Be unjust to no man, and show all meekness to all men. Be as a lamp unto them that walk in darkness, a joy to the sorrowful, a sea for the thirsty, a haven for the distressed, an upholder and defender of the victim of oppression. Let integrity and uprightness distinguish all thine acts. Be a home for the stranger, a balm to the suffering, a tower of strength for the fugitive. Be eyes to the blind, and a guiding light unto the feet of the erring. Be an ornament to the countenance of truth, a crown to the brow of fidelity, a pillar of the temple of righteousness, a breath of life to the body of mankind, an ensign of the hosts of justice, a luminary above the horizon of virtue, a dew to the soil of the human heart, an ark on the ocean of knowledge, a sun in the heaven of bounty, a gem on the diadem of wisdom, a shining light in the firmament of thy generation, a fruit upon the tree of humility.
from You Carry the Heavy Stuff, Lulu.com/Amazon, the author’s garage….. ISBN 978-0-557-20933-0-essays, poetry, observations from a twin’s dying to cubicle despair in a corporate world with voices of buoyant pathos, mystical reverence – you catch my drift
Why do I write? Like now, when the dishes sit orphaned in the kitchen sink because I, the washer, am typing, sharing, breathing, living, putting off the inevitable, because once a long time ago, I was so hurt, I couldn’t breathe. I carried that hurt with me forever, until I found out that sensitivity is the price and the prize for being able to write, for being able to read people, to Braille the unsaid. I write to a lady in prison, who said “I liked a phrase you wrote, “The language of God is a tear running down someone’s cheek.”
I write because I read, insatiably, gobbling, inhaling, filling myself with the human condition; splat on the floor some days, like a big old squishy bug, flattened, dead, its body swept up by old straws on a broom; and then I write to show the magic of St. Theresa’s Snow Queen Altar when I was young, and how everything looked like a wedding cake, and I write to tell how when I was younger, and so needy I could have impaled myself on a stake wide and big, sort of like a meta-letter holder, except the stake would run through my insatiably needy heart, and a note on my back would read “loves too much,” and that was before the book Women Who Love Too Much.
I write because I have gone beyond Medieval Posts puncturing my despair and loneliness and have decided Men Who Love too Much is here too. Maybe we all love too much, and I write because maybe none of us love too much, for we are told by images in advertising, that we should be thin, jaded in the eyes, like the look of models for Vogue or whatever, who probably could shoot up heroin on their lunch hours, and because despair is trendy and nihilism and materialism and not giving a damn might be the language of the hour. But then there is the lonely, little, big, young, old, trembling, brassy, you-catch-my-drift-writer who writes because he or she must, and words have a visceral effect upon her, him, the dog, the surrounding room. I write of hopes for the world, and a good ham sandwich or description thereof on a sour dough roll, with slabs of mayo, and a bed of lettuce, and curled pink ham, ready to go into someone’s mouth which is opened to the size of half a ladder, is a good thing, a good description.
What this nation needs is a good ham sandwich and a Pepsi without the aspartame and some down to honest to goodness honesty that is the natural condition to communicate, to be real, to be afraid of bugs in knotty pine walls when the walls come alive at night; to watch an elderly blind woman, clutch the corners of her walker, take a breath and remain a sweet sweet spirit, knowing that her condition, her tests are the divinely calibrated kind, even though trucks have run over her emotionally, and I write to tell of the anonymous amongst us, the bravery, the small acts of courage, kindness in this nation where the world is narcissistically checking its derriere in the mirror, and no one or precious few are listening to the “midnight sighing of the poor,” and where we must have immense courage and speak up; talk, yeah, walk the talk, be it; speak up; tell future generations who we were, wanted to be, became anyhow and our hopes for the future; because someday we will all be sensitive, spiritually inclined, aware of our oneness, and otherness will go on a back shelf like Twinkies, no longer approved of by the American Heart Association, and writing will be celebrated by hoots and hollers and a piping or two from a medieval horn or Siberian throat, and the arts will have a way of grabbing our soul’s innards and carrying us through the day. These are some of the reasons I write, but there are others, but today is Wednesday and those are my Wednesday’s writing reasons.
My friend Pili Pili Saka who is on my blog roll is prolific. There’s a sort of cool breeze to his thoughts, his prose, and I find myself admiring his mind a great deal. He wrote about Salvation, and I had been at a discussion regarding that same term last night; not the literal, cause hackles on the neck arise, type of discussion, and then he discussed north and south, and in this case Africa, calling to my mind the different young authors of incredible talent I have written, one of whom wrote about Biafra – north and south, and then finally the tennis balls Pili Pili speaks of call to mind a piece I wrote after my twin’s passing. So I offer it here:
Lobbing
wimbledon plays, bop, pop, british accents
i sorrow for a twinging tooth
wimbledon plays, bop, pop, british accents
a back tooth like an old couch waiting for Goodwill
sorrow was two weeks ago standing in front of
my twin’s coffin, she in her blue bridal dress of old
me, alive, sorrowing for the little girl on a tricycle
sorrowing for her life of dripping Rorschach ink
wimbledon plays, bop, pop, british accents
sorrow has gone up like a balloon on a helium sortie
wimbledon plays, bop, pop, british accents
thwatting away epic events tumbling through and around
the people on the earth’s stage
order, thwats, pops, bops, all metronome-like
in their reassurance, the steadied beat of routine
comfort, sorrow, joy, laughter, anger, all runs together
wimbledon plays, bop, pop, british accents