Esther Bradley-DeTally (1/04/2006)
I write poetry which speaks of white skin color privilege, of seeing underwear ads, with handsome white, thirty-somethings, trim in their Hanes, pornographic in their Victoria’s Secret. Sometimes I attempt a math-impaired Haiku; how do you Haiku frustration, absence, a feeling of Gargoyles 24, Unicorns 0. It was the film that did it. “Syriana,” a word or words manufactured like Xerox, or Aluminium, Ltd., or Pepsi moment did it. Syriana, a friend said, “means a carved-out territory, made up of whatever lands are useful to the dominant powers that need oil.”
Long story short, the film is brave, profound, staggering in its mirror of global duplicity. Some how the bad guys seem in charge, and urgency screams at us to look. Memory’s soft song, “Do you know where you’re going to? Do you know, do you know,” ribbons around my brain as my cilia pushes sounds and concepts on a direct route into my heart.
I write of daily moments: the turn of a wrist, hairs caught in a watch band, a tired dark hand clinging to a subway strap; two years of dirt on the homeless lady at California and Lake; conversation at Peets’ sitting at round glossy wooden tables, our laughter vaulting towards Peets high ceiling; moments; shattered and reassembled.
Peace seems like an illusive dancing creature these days, tossed about like an old crouton, nicely mentioned on street corners, politically correct on placards and bumper stickers. Attaining this peace seems like the sound of blossoms falling on rippled water.
If writing verse is “like throwing rose petals down the Grand Canyon,” – at least that’s what the guy who wrote Archie and Mehitabel said; what is working for justice, seeing naked structures of greed, as the guys in the back halls cavort along vortexes of greed for today and tomorrow’s oil? Danger, implosion ahead, standing on the edge of the Decline and Fall of the Roman Empire, Scene II in the years 2000 and on. Y2K had nothing on this.
And yet, a voice, voices of those who know of the coming of the Advent of Divine Justice, the witnessing of the spontaneous spawning of ordinary groups coming together for global oneness; unity, begins to be heard. Like a sliver of the moon, this force for a society promised by poets and seers and prophets of old and a prisoner named Baha’u’llah, this curved small ray of moonlight in the darkened sky with no sounds, not even of sounds of blossoms falling, is pointing towards the future; suggesting solutions.
Time will reveal the fullness of moons; our shift away from the shaking frame of a beleaguered mankind; it’s an old jail, and we have to leave; a new race of man will struggle towards its destined spiritual maturity, a webbing of clusters of ordinary people, helping one another; preferring others instead of a self; all in start relief against night’s darkness of greed and hatred. The blossoms seem noiseless but startling white as th